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Under intense pressure from the FCC, the broadcast industry and the computer industry called a truce in their long-running Interlace War. The truce removes the last obstacle to FCC approval of a format specification for high definition television ( hdtv ). Approval will probably be voted in Decemberthe FCC is that anxious to get goingand channel assignments are expected to be complete by April. Commercial production of hdtv sets can then begin, with first consumer sales in mid-1998.
The computer industry initially was quite enthusiastic about hdtv . It hoped that mass production would mean large-screen, high-resolution displays at consumer pricesthe ideal monitors for low-cost computers. It admitted that progressive scanning would initially cost a bit more (mainly for additional ram ) but pointed out that having a single standard would boost production volumes enough to neutralize the difference in the long run. But when the so-called Grand Alliance of tv makers, broadcasters and settop box designers submitted its proposed hdtv standard to the FCC in ????, the computer industry was dismayed to see that interlaced scanning was still part of the spec. It howled outrage, and the FCC ruled that there was not enough industry consensus to proceed.
When the deal was announced on November 27, spokesmen for the computer industry said brave words about how the superior quality of progressive scanning would lead to market domination. Broadcasters expressed gratitude that another Betamax- vhs war had |
been averted.
Lasting peace? We think the computer industry was whistling past the graveyard. Given a choice, consumers will probably opt for interlaced sets. First, all existing tv shows are interlaced, and the superior quality of progressive scanning is hard to see in I Love Lucy reruns. Second, we are told that consumers don't want to read text on their tv s. Third, a progressive-scan display costs a couple bucks more to manufacture. Thus the economies of mass production won't spill over to the computer business. Too bad for them; but it's also bad news for online publishers, whose output is mainly text and graphics.
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(A little better, but I'd expect more from Adobe than this. Terry Morse can't outshine Adobe, can he?)
[show me Terry Morse Myrmidon]